VINTAGE TROUBLE and LUCKY CHOPS in July at Carroponte!

Between rythm & blues that winks at soul and rock'n'roll sounds and energetic swing that borders on pop, the Vintage Trouble and the Lucky Chops for a double concert not to be missed Tuesday 4 July at Carroponte in Sesto San Giovanni (MI). I tickets will be available on the official Ticketone circuit from 11 a.m. on Friday 10 March. Be wary of unofficial sales channels.

The first to take the stage at Carroponte will be the Lucky Chops, the New York City brass band that, after their success at the Serraglio in Milan, is ready to repeat and engage the audience with their overwhelming swing energy. I Lucky Chops - Josh Holcomb (trombone), Daro Behroozi (tenor sax), Charles Sam (battery), Joshua Gawel (trumpet) and Raphael Buyo (sousaphone) - are a small wind ensemble that started out in the New York subways, armed with the belief that the positivity of music can change the world and energise the listener. The fame of the Lucky Chops grew up on the web: their concerts have been viewed by more than 100 million people, as well as their pop and rock covers and the original material they recorded in New York subways. But hearing the band live is an experience not to be missed!

With a unique sound that oscillates between r&b, soul and rock, Vintage Trouble have captivated audiences around the world, opening for real music legends - from the Rolling Stones to Ac/Dc to The Who - and selling out ever more headliners. I Vintage Trouble – Ty Taylor (voice), Nalle Colt (guitar), Rick Barrio Dill (bass) and Richard Danielson (drums) - made their debut in 2010 in the clubs of their city and soon attracted the attention of Doc McGheelegendary manager of Kiss, Bon Jovi e Mötley Crüewhich took them under its wing and brought them to the UK to play at the Later Show... With Jools Holland and to open the tours of Brian May e Bon Jovi. In 2011 they released their self-produced debut album The Bomb Shelter Sessions, reached the UK Top 40 and the top of the R&B chart on Amazon UK, while in the US the critic of the New York Times Van Haller hailed them as the modern answer to Otis Redding.