After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]

After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]

After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]

After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]

After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]

After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]

After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]

After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]

After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]

After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]

After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]

After the splendour of the tour that in recent months has seen him reinterpret the songs that made him famous together with Romina Falconi and a chamber ensemble, Immanuel Casto returns to the Italian stage with Non Erano Battute, a meta-comic monologue that develops the themes of the world of communication often addressed in the [...]